Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.
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美国人拍的职场都市小甜妞剧你能指望什么和伦敦生活一样好吗 现代人已经不爱看美式大团圆了俗气果然“法式结局”最为动人 两处亮点一是中国闺蜜的歌声怎么说融化坚冰的一股暖流 二是每次安托万带老婆来赴酒局艾米丽都比老板更紧张jerk it out最后一次我突然醒悟她们俩是一体两面青涩活力和刻薄老练都是自己安托万/厨子都是个确定无疑的好人但是她俩到底是在谁口中讨饭一个不在意丈夫出轨的好闺蜜手里要尊重一个男人把他当个人当成一个做下决定承担后果的男人而不是一个左右横跳懦弱无能的软骨头不要瞧不起人 我是爱你但我认为你的所作所为已经做出了选择我尊重你的选择我选择把你当个人